"Edson’s vivid portrayal of the urban area, as well as the working class and underclass, creates a vision of Saint John that highlights the discrepancy between the pre-modern idyllic notion of life in Atlantic Canada and the more complicated reality of the region."


-The New Brunswick Literary Encyclopedia

Thursday, July 21, 2011

The Moon is Real


Yesterday I finished the first draft of a new novel called The Moon is Real...It's kind of a sequel to The Dirty Milkman where it revisits Charlie and Prin and we find out what they've been doing the last five or six years. It also dips into A Place of Pretty Flowers where Jeremy Wiggins and Jimmy S. find themselves in the middle of a dangerously absurd predicament.

The story looks at that very thin line between fantasy and reality and how we sometimes need to go a little crazy in order to stay sane. The structure of the novel is similar to A Place of Pretty Flowers where the story starts at a scene then breaks off into separate stories that intertwine and find their way back to where it all began. I had fun with that template for Flowers and I think it works with this story too.

It's still a few years away from publication but it's exciting to have a full manuscript in front of me to work with. It currently sits at 51,000 words and am hoping to reach that 60,000 mark that has eluded me in the past.

Thursday, June 30, 2011

The Year Mrs. Montague Cried


Sue White has written her first novel, The Year Mrs. Montague Cried, and I've just started reading it and can't put it down. Dubbed as a Young Adult Novel, it's a book everyone should read--it's got heart, sadness, and redemption; something every good story has. The writing is clean and simple and what a pleasure to read. I highly recommend it.

a fitting quote on the last school day of the year...



"A writer who can both write and teach should be able to do both. Many competent writers have proved it could be done. I could not do it, I know, and I admire those who have been able to."

-Ernest Hemingway


Saturday, June 25, 2011

Jonathan Franzen's FREEDOM

There have been a few books I've read that have had a big influence on my writing; books that are so good that by the time I finish them I think, "I'm a better writer now that I've read that book." I learn different things from different writers; things like dialogue or flow or some little way something was done that opened my eyes. I am just finishing Jonathan Franzen's Freedom and am a better writer for having read it. What a book. And any writer who openly defies Oprah is someone I'd like to read--sure, he reneged, but it was still something that added some credibility of, well, cool. Freedom was named the best book of 2010 by TIME Magazine and for good reason. It's one of those masterpieces you stumble on from time to time.
Here are some other books that have greatly influenced my writing in some way or another that I recommend for any aspiring writer:
Post Office by Charles Bukowski
For Whom the Bell Tolls by Ernest Hemingway
The Bay of Love and Sorrows and Hope in the Desperate Hour and The Friends of Meager Fortune by David Adams Richards
Crime and Punishment by Fyodor Dostoevsky
One Hundred Years of Solitude by Gabriel Garcia Marquez
Pillars of the Earth by Ken Follett
Paradise Lost by John Milton
My Uncle Oswald by Roald Dahl
Good Morning, Midnight by Jean Rhys

Thursday, May 26, 2011

THE GOON reviewed in HERE Weekly (May 26, 2011)


Finding the words

Published Thursday May 26th, 2011
In The Goon, an inarticulate hockey player gains his voice
by Charles Mandel
Here's a picaresque romp through the underside. Jerrod Edson's The Goon has plenty of brawling, bawling and, of course, drinking. Lots of drinking. Lots and lots of it. Geez, you might pass out just from reading the book.
The titular goon of Edson's novel is a retired NHL enforcer. At 58, Jack Jones lives off his reputation. A former player with the Boston Bruins, he's returned to Saint John, where he has little else to do but drink himself senseless every night. He boasts about the memoir he wants to write and yet is incapable of even beginning. Jones drinks at the same dive every day, where he longs for the waitress, Ruthie. And it is to her that he swears he will produce a book. Unable to, Jones works himself deeper into misery over his inability to string the words together that will create the book and win him the woman.
Instead, he falters. Not having bothered to read books before, he hasn't the faintest clue how to go about creating one. Yet to convince Ruthie that he's working on his, he tells her that he's reading several in order to research it the way the pros do it.
Unconvinced, she wants to know what Jones is reading. "Books, Jack had said, stumbling on his words. So many I forget the names. He knew Ruthie didn't believe him."
Suddenly his slacker life of getting pissed becomes a nightmare of pressure as a result. "What a mess he'd gotten himself in. He'd talked it up too many times not to mention it again."
One day while Jones is out hunting he runs into Roy Sweeney, a gay painter who's lost his partner. These two men - the brutish hockey player and the mourning homosexual - become unlikely and uneasy friends. After the chance encounter, Jones turns up on Sweeney's doorstep, asking him to help write his book because Sweeney worked as a teacher - never mind that he taught art.
To the mix, add Sweeney's son, Cam, who is a talented junior league hockey player, whose timidity is hampering his career, and you have a fairly swift-moving story about damaged people all trying to find their way in the world.
Edson's prose is straight-up, deceptively simple in its style. Likely, it took a lot of hard work to arrive at his pared-down narrative. And it's a given that the ending will be feel-good; in these days of deep cynicism, that's almost refreshing. Yes, The Goon can be a bit choppy in its prose, but don't let that stop you from dipping into this slice of life set in our own backyard.

Sunday, May 15, 2011

Is Hemingway's Catherine Barkley English or Scottish?

Catherine Barkley, the nurse who sweeps Lieutenant Frederick Henry off his feet in Hemingway's masterpiece, A Farewell to Arms, is clearly described early on in the novel as English. But later, when Barkley is discussing with Henry what would happen if they got married...

"But darling they'd send me away."
"Maybe they wouldn't."
"They would. They'd send me home and then we would be apart until after the war."
"I'd come on leave."
"You couldn't get to Scotland and back on leave..."

So which one is it?

Saturday, March 19, 2011

Wine & War

My wife recently bought me Wine & War by Don and Petie Kladstrup and I read it over the weekend. It's the story of the German occupation of France told through the perspective of French winemakers; how they hid their most precious vintages from the Nazis; how their wineries suffered as badly as the people, and how, ultimately, by saving their wine they saved themselves.

This book read like a novel--like a World War 2 thriller, filled with stories of winemakers hiding their best bottles behind newly made walls (one winemaker got his sons to round up as many spiders as they could find so there would be cobwebs to make the wall appear old) or deep in caves where they couldn't be found. It talks about how France was forced to sell all of their wine to Germany (they were cut off from their main clients such as Britain and the US) and how the French tricked the Nazis by sending them bogus bottles--bad vintages while labeling them as something much better, and smirked with pride when the Nazis couldn't tell the difference.

For me, it was one of those books I just couldn't put down. It really is a great read and a book I'll definitely be giving as Christmas presents next year. Cheers to you, Don and Petie Kladstrup!

Wednesday, February 2, 2011

Stephen King on Writing

A few weeks ago a friend of mine suggested I read Stephen King's On Writing. It wasn't the first time someone told me to read it. So I bought it on Saturday and finished it on Sunday. It taught me a few things, for sure, and I disagreed with a few things too. But the biggest lesson I learned from this master writer is the value of discipline. I am brutal with my writing habits and have now decided to wake every morning at 5:30 and get in one solid hour of writing before the baby wakes and the day begins. Thank you, Stephen King, for getting my arse in gear.

PS--Happy 1st Birthday to my baby girl!

Wednesday, December 29, 2010

The Amazing Jean Rhys

I have just started reading Lilian Pizzichini's The Blue Hour - A Life of Jean Rhys. So far so good...Rhys was no doubt one of the most talented and overlooked writers of the 20th Century. She was years ahead of her time and is one of my favourite writers.

UPDATE: I finished it--a great book if you're interested in Jean Rhys. It reads like a novel--as though the author knows her subject so well she has invented the character--unlike any biography I've ever read.

Friday, December 24, 2010

KILLER ON THE ROAD in today's Telegraph-Journal


Merry Christmas!

Here's a short story I wrote a few years back, published in today's Telegraph-Journal...

Killer on the Road

by Jerrod Edson

Leonard Simmons had never picked up a hitchhiker before. But it was five o’clock on Christmas Eve and the snow was falling heavily and all he could see through the windshield was white, wherever he looked, and he felt bad for the figure standing by the highway alone. He pulled onto the shoulder and stopped the car. The man opened the door and got in.

He was huge, and he smelled of lumber and wet wool. He had to slump so his head wouldn’t hit the roof, his knees pressed against the glove box. He brushed the snow from off his pants and kicked his boots together. The snow fell in clumps.

Leonard could smell cigarette smoke, and mixed with the lumber and wet wool, it was not pleasant in the heat and small space of the car. “Still snowing,” he said. “I don't think it's ever going to stop.”

The man did not respond, and very quickly there was an awkward silence. The man grunted and brushed the snow from his sleeves.

Bags and gift-wrapped boxes were piled clumsily in the back seat. Leonard had been Christmas shopping all afternoon. He had started and finished his entire list that day and was proud of himself, even now, as he pulled the car back onto the highway, the tires skidding before settling into the tracks of another car.

Leonard’s wife Connie had mentioned an African gift shop downtown on Prince William Street, and how she had seen two wooden elephants, “…the most beautifully crafted things you’ve ever seen—painted white with gold tusks, all carved from the same tree. And the proceeds go to the effort against poaching. Do you know how many elephants are killed each year? The poor creatures, they’re nothing but harmless giants. You’ll be helping them without even knowing it.” It was the one gift in which Leonard knew he couldn’t go wrong.

The snow was just starting to fall when he had left the mall and headed downtown. He parked on Water Street then skidded up the alleyway, careful not to slip in the snow, and onto Prince William to the African Gift Shop.

Twenty minutes later he was pleased with himself as he walked back to the car holding the box of wooden elephants, wrapped in fine paper with a card made of wood which had a lovely little African poem Leonard never bothered to read. He smiled as he imagined Connie on Christmas morning. And I’m helping them, the harmless giants, he thought, repeating her words and chuckling to himself, remembering how she had said this with such saddened eyes, when he knew, as wonderful and as lovely as she was, that all she really wanted was a good gift.

The snow fell in thick heavy flakes. Roy walked by the Bourbon Quarter and looked inside, at how cozy it looked, and he went in for a beer. He sat at the bar next to two men. They were talking and drinking as though they’d been there all day—comfortably and loud and without restraint.

One of them was talking about how he had hitchhiked from Fredericton that morning. And he was very loud. “Only took me an hour and a half. Got dropped off in Gagetown. It was just startin to snow and I thought I’d be stuck out there all day freezin my arse off, but the next car stopped and drove me all the way to Harbour Station. I said to myself when he dropped me off, I said: Andy, you’re a lucky bugger—Not too bad, an hour and a half all the way from Fredericton.”

Leonard was thinking of this a half hour later as he came upon the figure standing on the side of the highway, his silhouette appearing out of nowhere, standing tall with his arm out, his feet buried in the snow.

“Where is it you're heading?” Leonard asked as he drove.

The man grunted and nodded. “Up a ways—Hampton area.”

Leonard was also going to Hampton, and very quickly the regret of stopping overwhelmed him. And so he lied. “I've got to turn off at the Hammond River Bridge. I’ll let you off there.”

The man grunted again. Leonard could not tell if it was meant to show displeasure or complacency. But he felt relieved now that a plan was in place. And again there was an awkward silence. The radio went fuzzy and Leonard fiddled with it. The storm, he thought. This could only happen to me. Then he started to sweat. He turned down the heat and remembered that only a few minutes ago he was alone and happy, thinking of the gifts in the backseat and tomorrow was Christmas and why the hell did he ruin it all by stopping? He took a quick glance in the mirror and saw the box with the wooden elephants.

“So where are you from?” Leonard asked. It was a good question.
“Montreal.”

“Habs fan, I suppose?”

A grunt.

“Did you hitchhike all the way from there?”

“No.”

Leonard cleared his throat. “I can't see too much with all this snow. I barely even saw you. When I went to town this morning there was nothing at all, not a flake. I was at the mall for a few hours and came back out to this. I can't believe how much has come down. I can't see a thing.” He did not want the silence to come again and so he continued. “They only called for a few flurries, and look at it. Damned weatherman; I'm telling you, I don't know how those guys keep their jobs. If I made as many mistakes as they did I'd get fired in a second. They don't know a thing.” He realized he was talking too much now, and he swirled in the silence. “No sir, not a thing.”

Silent Night played. Leonard almost grinned at the irony. “So you're spending Christmas in Hampton?”

“Yup.”

“Staying with friends or family?”

“Nope.”

“Oh, well, it is nice to get away.” He didn’t know why he had said this.

The man grunted again.

Leonard turned up the radio and the music was scratchy and irritating. And although he knew the radio could do nothing, no matter how loud, it covered the silence. After a few commercials from companies wishing everyone well during the holiday season, Holy Night was played and Leonard hummed along, losing himself in the snow and trying to focus on the road, trying to forget this huge man, a man he knew nothing about, sitting so close to him and not speaking.

Then he noticed the man starting to shift uneasily in his seat. What’s he thinking? What’s he planning? The man looked out his window and Leonard took a quick glimpse of him—his old pants, his work boots, his jacket rough and worn. He’s a frickin giant, Leonard thought. Then he started thinking of all the stories he'd heard about hitchhikers; of cars found abandoned and the drivers dead in the trunk or buried in the woods along some dirt road. It starts out just like this, he thought. Just like this, out on the road in a storm, alone.

He thought of the flashlight under the seat. He could grab it if anything happened. It was a big, heavy-duty flashlight that could do some damage if he were able to get a good swing at him. But he did not want to have to grab it. He had never been in a struggle before. His palms got sweaty. He felt a line of sweat trickle down the middle of his back. He did not turn down the heat—he had done this once already.

Leonard saw as the man took another uneasy look out his window.

Then suddenly, through all the whiteness, Leonard saw the lights of the gas station near the Hammond River Bridge. It was an angelic sight.

“The bridge is right up here,” he said. He turned down the radio. “The bridge is up here,” he said again. “I'm turning right before it and I'll let you off then.”

Leonard signaled and turned off the highway, stopping in front of a small church that looked down onto the river. It was an old black and white church built close to the road, and through all the snow Leonard could only see the steep slant of the roof and the blurred outline of the long narrow windows. He could not see the bridge.

Leonard placed his hand down between the door and the seat and felt the cold plastic of the flashlight.

The man grunted and zipped up the front of his jacket and tucked his chin into the collar. Then he opened the door and climbed out. The wind and snow blew into the car, and Leonard felt the chill of the fresh air blowing in, and the suction of the stale air leaving.

Before closing the door the man leaned in. “Thanks for the lift. Merry Christmas.”

“Same to you,” Leonard said, but the door closed before he said it.

The flakes settled on the windshield and melted. Leonard pulled the car away and smiled. He was alone again. But only a moment passed before he realized what he had just done. He thought of the man standing out on the highway with the snow blowing in his face. His eyes caught the gifts in the backseat and he thought of Connie again, at home, warm in front of the fireplace, opening the box with the wooden elephants.

The harmless giants.

Leonard stopped the car and got out and walked a few meters down the road. The snow fell all around him. He couldn’t see the church, but he saw the blurred outline of the steeple. He called out but there was no reply, just the snow falling and a fairy-tale quiet. The snow smoothened over the ditch and covered the trees. The branches drooped from the weight of snow, and underneath them were bare patches of black earth. Up the power lines the boxes were puffy white, the lines thick and running smooth across the whiteness. Leonard called out again, but again there was no reply. He stood a few more seconds, looking into the whiteness, the flakes tickling his eyes, and then he turned and went back to his car, retracing his steps, deep in the snow on the road.









Monday, December 13, 2010

Running With the Bulls

A friend of mine (and fellow Hemingway geek) suggested I read Valorie Hemingway's Running With the Bulls, and so I did. When she was a teenager, Valorie met Hemingway in Spain to interview him. Little did she know she would spend the next two years with him (which were the last two years of Hemingway's life). She traveled thoughout Spain, then moved to Cuba where she lived at the Finca Vigia and worked as his assistant. She met Fidel Castro when Ernest presented the young leader with the trophy for winning the Hemingway fishing tournament. With glimpses into the famed author's life rarely seen before, this book sheds some new and interesting light on one of the greatest writers to ever live.


And if that isn't enough, Valorie married Hemingway's son Gregory, who, it turns out, was more unstable than his suicidal father, having undergone a sex change by the end of their marriage, and treating his wife to some brutally cruel episodes.

Valorie Hemingway is an excellent writer. This book was clearly written by a skilled hand, and I could not put it down. For anyone wanting a different, more personal take on the final chapters of Hemingway's life, read this book.

Tuesday, December 7, 2010

The Goon Launch, Nov 27, 2010



I launched The Goon at the Bourbon Quarter Restaurant & Bar in Saint John. It was a snowy Saturday afternoon and it was fun seeing some old friends. I read a few passages then mingled and signed some books. The photo above is me with my daughter Hadley. She was baby talking through the entire reading.
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I was also lucky enough to bump into another NB writer, Wayne Curtis, who was doing a book signing at Indigo. I've heard of Wayne's writing for a long time and it was nice to meet him in person. We chatted about writing, Oberon Press, and David Adams Richards (Curtis is a fellow Miramichi writer and knows Richards well). He's a great guy and a great writer.